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The painting "Dark
Garden" is a rejection of the synthetic quality of acrylic,
encouraging me to make my own paint from stuff around the house: soot
from
the chimney, ash from the grate and garden bonfires, blended with PVA
as
a binder. This paint is now steeped in personal association - but
does have the drawback of changing colour and stinks as it dries. But
soot proved an ideal medium to build up the tactile marks necessary for
this current series.
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